DJ Unkut – Trading precious metals

Another absolutely ridiculous mix from DJ Unkut, the German turntablist who you may know from his game-changing “Beware of ze Average Man” routine. The tracklist is pretty ambitious, pulling from the best of worldwide mutant futuristic beat scenes. Yes, there’s some trap. And it’s damn well placed, serving to establish the energy upfront before moving into more interesting, melodic descendents of instrumental hip-hop. The second half of this mix gets into some classier european strains of experimental, 808-heavy, 160bpm stuff, with Para One, Krampfhaft, Om Unit and Machine Drum. Featured as well as are some of the finest American, non-east coast production; notably Colorado’s Paper Diamond, Chicago’s Chrissy Murderbot, Lorn (outta Wisconsin) and California’s Freddy Todd.

Expertly blended and seasoned with choice scratches, Unkut delivers a concise, furious bar-raising mix that invariably leaves one wanting more. Fortunately, he has a few more on his soundcloud that are all equally well crafted.

Tracklist:

1. MelĂ© – Lego
2. Lunice – Bricks
3. Star Slinger – Bad Bitches
4. XXYYXX – Fields
5. Zombie – Spliff Dub (Rustie remix)
6. 123 Mrk – Pleasure
7. Hudson Mohawke – Somebody
8. Lorn – Sworn to Black
9. Gucci Mane – Im da Shit (B-ju remix)
10.+Verb & Bloop Bleep – Innanet Drive by
11. Para One – Empire
12. Bonobo – Eyes down (Machinedrum remix)
13. Chrissy Murderbot – Bionic Penguins
14. Krampfhaft – Spit Thunder
15. Beans – Blue Movie (Salva remix)
16. Krampfhaft – I needed you (Om unit remix)
17. Freddy Todd ft. Black Mic – Star trek shit
18. Paper Diamond – Airlift
19. Lorn – Bretagne

exclusive unreleased tracks by iTAL tEK, Arkist, Komonazmuk, Phaeleh, Radioactive Man, djrum, kahn, kowton, murderbot, machinedrum, swarms, ruckspin,

Electronic Explorations Compilation Previews now on Bandcamp

Rob Booth is winning at the game of culture. His long-running radio show, Electronic Explorations, has consistently foreshadowed the rise of dozens of underground artists, labels, and subgenres since its inception in ’07. Cited as an inspiration by Mary Anne Hobbs, Sonic Router, and gobs of other bass institutions, EE is more than just a

ESSENTIAL PARTYING: Trouble & Bass ft. Kanji Kinetic + DZ


T&B 3 year anniversary party with Skream & Benga. Photos by hificartel.com

DZ said it best: “Dubstep is Boring“. That’s why Trouble & Bass is so damn amazing. While every other party promoter seems to be hopping on the dubstep bandwagon (that’s been in a ditch for a few years now*), Trouble & Bass is creating their own genre of much more exciting party music. For 3+ years now, the T&B crew (AC Slater, Star Eyes, Drop the Lime, and The Captain) have been obliterating dancefloors across NYC and beyond with their signature Brooklyn Bass. They always make a point that these aren’t club nights, they’re parties – and not just any parties. Consistently, more than any other entity that throws em, they throw the best damn parties in New York City. Everyone who comes out is sexy, dressed fresh to death, and dancin like a motherfucker. 

Their special guest this week is DZ (who gets plenty of press) and the criminally slept-on  Kanji Kinetic, who (much like Chrissy Murderbot or the post-deserving Squire of Gothos) is pioneering some serious speed wobble – like happy hardcore on downers or if a rave got twisted through a moebius strip; it’s 140-150 BPMs of neck-breakin, lose-your-shit relentlessness. This is workout music – get ready to sweat on Saturday! 


Kanji Kinetic – Mix for ScenexScience
Kanji Kinetic – drop.io (free random tracks, bootlegs, remixes)
Trouble & Bass – Smashcast #2 ft. Kanji Kinetic (itunes podcast)
DZ – For Love RMX (youtube)

Oh yeah, and it’s at Santos Party House, which is the only other club sound system on par with Love’s. Seeing Joker there was the first time I’d been in the downstairs when they turned it ALL THE WAY UP. It was bone-jelllifying

EVENT INFO: TROUBLE & BASS
Saturday, 2/20 at Santos Party House (map)

$7 adv/$10 day of
*for the record, I ain’t hating on dubstep – lord knows how many times I’ve lost my shit to Eastern Jam, Caspa, Rusko, etc…but I’m definitely hating on everyone who promotes a party and plasters their flyer/event listing with the word “dubstep” (invariably in all-caps) as though it’s some magic salve that will transform their trendy culture-grab into a halcyon blasty blast of a good time. Just because you’re not funded by a corporation doesn’t mean you aren’t engaging in cultural appropriation. Your whackness is seen, and noted. 

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